

WORSE THAN RADIATION and 7 odd Chernobyl stories





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[FROM]
Part 2. The Night
[...]
I'm sifting through the last pile. I'm desperate for sleep, back of my neck aches...
I divide the work mentally in into components. I am in a fury — dissecting — crushing — smelting it — piecemeal — until it's done...
Every line of doses — is a line of attack.
Every crew registered — an exhalation.
One, one more, another one...
... to lay my head on my hands on the cosy polythene of the table — and sleep, sleep...
'Hi there, father-commanders!'
A white moon of a face looms in the black opening of the window.
'Hi, Stasik!','Hi! Come in.'
Stasik is the dosemetrist for the whole camp. He's from our company, there was a moment when we pushed hard to have our man in this position.
Stasik comes in, the instrument on a strap over his shoulder.
'You going out or coming back from your round?'
'Back.'
'How much is it?' Valera asks.
'0.3,’ I reply confidently. Since I’ve been here the camp background has never varied — we're a good distance from the NPP.
'0.3 milliroentgens an hour,' Stasik confirms.
'How much ... compared to the normal background...’ Valera screws up his eyes.
'20 pre-war levels. More.'
'And in the tents?'
'0.2.'
'And where is it highest?' Valera keeps up the questioning.
'At the compound gate — 0.5.'
'Vehicles bringing it in.'
'Don't worry, villages get evacuated at 0.7.'
'Can I have one of your nice white man's fags?'
We present Stasik with a filter cigarette.
'Merci. By the way — Special Section ordered me to turn up tomorrow morning after breakfast at the vehicle compound. With the instrument.'
We prick up our ears:
'What for?'
'To measure the armics. To find out who's been slipping past the PUSO on the way out of the zone.’
I whistle — that's all we need!
'Part of a campaign against over-irradiation.'
'Why don't they stick to catching spies...'
We're in a real mess. The number of times I said — we should leave them in the parking area in Chernobyl... And now we’ll catch it.
'Did you see that new camp — over beyond ours? Three tents behind barbed wire with a sentry — didn't even let our people go near it... Military prosecutor's.'
It's started... Life was too good to be true, too peaceful.
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Design by: M.Opalev
Studio ARWIS Kharkov, 2001
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